Duchovny and Anderson rediscover their roots
X-Files fanatics will be happy to know that despite their immersion into new characters and projects, Duchovny and Anderson slip back into Mulder and Scully mode with the utmost ease. While the show was well known for its paranormal plotlines and conspiracy laden scenarios, those who followed the program realize that the success of the series rested solely in the hands of its stars. Anderson’s ever-doubtful Scully was the perfect foil to Duchovny’s "the truth is out there" Mulder. Delving deep into the world of extra-terrestrials, specters, and the occult, the two built an intriguing rapport that consistently teetered on the brink of romance, yet never slipped into the formulaic rut that compromises most episodic relationships.
When X-Files creator Chris Carter began production on this sequel, he made a decision very early on. Rather than creating a film that continued the storylines and mythology that were established on the show, he wanted to follow the "monster of the week" formula that made the series such a resounding smash. By doing so, Carter ensured that his film would be appealing to not only the most die-hard "Files" fans, but also those who only possess basic working knowledge of the characters. This not only guaranteed a more generous box-office take, but also, an opportunity to introduce his creation to a new generation of potential viewers.
Though Mulder and Scully have not worked together for a number of years, the two are summoned by the FBI to help investigate the disappearance of one of their agents. Clues to her disappearance are minimal, and the only leads that they can follow are provided by a pedophilic priest (Billy Connolly) who claims to possess psychic abilities. Reluctantly drawn back into a world that they had hoped to abandon, Mulder and Scully quickly learn that the case may be much more complicated than they had originally expected. When another girl within the same geographical location goes missing, it becomes apparent (at least to Mulder) that there aresinister forces at work.
A test of faith
Rather than a simple serial "whodunit" I Want to Believe is based heavily in faith, and the ability for the characters to challenge their beliefs without compromising their integrity. And although, more often than not, Dana Scully is the one who is forced to confront the majority of these demons, it is Duchovny’s Fox Mulder who steals the spotlight. His electric personality, his desire to uncover the truth, and ultimately, his dedication to helping those in need, make him a far more complex character than he was ever given credit for. It’s his stoic resolve and unwavering commitment that forces the viewer align themselves with his character, no matter what dark corners he may travel to.
Ultimately, The X-Files: I Want to Believe is an entertaining, intense, and thought-provoking thriller. While the dialogue is a tad one dimensional at times, the storyline and performances make up for these minor moments of frivolity. The chemistry between Duchovny and Anderson is as electric as ever, and X-Files fans will be delighted with the product that has been produced. With any luck, this sequel will not serve as the end of this intricate saga, but rather, simply the beginning.
GRADE- B+
